Each Monday, we’ll highlight one indie photographer whose body of work deserves special recognition. Please enjoy their photography here, and make it a point to enjoy the rest of their work on their website.

This week the Indie Spotlight shines on Singaporean photographer Justin Poh.  Justin’s  style of photography has always been about capturing images that will spark the viewer’s interest and show them elements of beauty that usually go unnoticed.  Justin takes particular interest in landscape and still life photography because he finds applying his style in these genres achieves a photograph with which the viewer is able to identify, yet, still be surprised at the visual features they have overlooked.

Clarke Quay
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Clarke Quay

Kit:

When Justin reaches into his camera bag he pulls out the very capable  Canon EOS 1Ds Mk2 body equipped with the  Canon 17-40mm f/4L.  Justin’s other lenses are  a 70-200mm F/4L as well as a 50mm f/1.8.  Of his complement of lenses Justin’s favorite is his Canon 17-40 f4L. Justin finds, in Singapore especially, that people rarely take a moment to step back and admire the big picture. With his 17-40mm, he uses wide angles to show them what they are missing by capturing images showing the grandeur of nature and the palette of colors that it offers.  As if it couldn’t get better the lens also produces very sharp images and captures the smallest details in still life photography. These are elements that Justin captures and highlights in his photographs beautifully.

CBD
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Workflow:

Justin tends to work in natural light because he  prefers the natural look.  Once he has captured his image, he uses Photoshop CS5 to make adjustments to exposure, contrast and clarity. Justin sometimes crops to adjust the framing if necessary and performs minor color and blemish correction to the image.  Aside from the aforementioned he prefers to present his photographs  with minimal digital correction.

Open Plain
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Tips, Tricks and Techniques:

Mount Fuji
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Mount Fuji

Justin’s  style of photography basically involves paying rapt attention to two things.  The first thing is perspective.  Whenever he takes a photograph, he never stands and shoots at eye level, this sometimes involves getting down low or shooting from a high position and then zooming in or out to suit his desired perspective;  the list of alternative angles can go on forever.  In essence, Justin avoids using the angle from which people commonly perceive their surroundings. By changing the perspective in this manner, different details and elements are accented and it is these details and elements that people normally miss that Justin wants to place front and center in addition to adding an element of difference to his images.

Meadow
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The second thing Justin pays attention to is shadows. He finds that shadows are another thing many people pass by without noticing their intricate patterns, Justin utilize these shadows in an image to create lines, detail and texture that often goes overlooked.

Lessons Learned:

While on a leisure trip Justin discovered one technique completely by accident.  He wanted to try creating a blur by zooming the lens while on an long shutter speed, having recently learned of this technique he attempted it; but by accident, Justin rotated the camera body instead of the lens and was intrigued by the circular blur pattern that the image acquired. To this day, he still uses this technique and is exploring other interesting applications of the technique.

Traditional Lanterns
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Traditional Lanterns

Inspiration:

Like any great photographer, Justin finds the work others to be a source or inspiration, two of his favorites are UK based Drew Gardner and the omniscient Scott Kelby.

Justin admires the work of  Drew Gardner.  because Drew never fails to find the drama in a scene. In particular, Justin finds Drew’s epic fashion photos particularly inspiring.  Instead of shooting fashion in the usual way, Drew selects unusual settings and with unusual objects to give it a dramatic look and tell a story all the while maintaining the necessary style and grace that fashion requires.

The long road
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Justin like many of us also admires the photographic exploits of  Scott Kelby, in particular Justin admires him largely for his sports photography.  Justin says of Scott Kelby’s sports photography “He always finds a perspective that captures the atmosphere and intensity of the game in a captivating way.  He also always manages to find a way to accent details such as the dirt on a jersey or the sweat dripping from the player’s faces that makes a sport look very dramatic and gruelling. Personally, I have found it difficult at times to accurately capture these elements in a still frame and his sports photography work are what inspire me to search for that perspective whenever I shoot sports.”
MBS 2
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What’s Next:

By nature, Justin doesn’t take a dark view of life so naturally, many of his photos don’t have a very dark themes.  However, Justin does  occasionally find that a photograph with a dark theme can really tell stories in a ways that his style of photography does not.  Justin aspires  to shoot photos that portray the darker side of everyday scenes and objects because, in some cases, this style opens up the surreal side of life.

Tori Gate
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Tori Gate

Justin also has a strong desire to shoot high fashion because, in his opinion, shooting high fashion is all about using photography to capture a dramatic or breath-taking perspective and capturing fashion in its most beautiful or stylish form. He believes that this  perfectly compliments his style of photography.

Links:

Justin’s Flickr

The Lonely Hut
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Jeremy
Jeremy is a consultant, educator and photographer based in the Caribbean. He shoots an eclectic range of material, but his favorite subjects are urban and seascapes, people and aircraft. He mixes his love of technology and travel with photography. Following a brief post college hiatus he picked up a camera again in 2003 and has been shooting ever since. You may view his work on his website

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